Coca-Cola Zero Channels Saigo Takamori
In the first Japanese television spot for Coca-Cola’s zero-calorie soda Coca-Cola Zero, a bald, middle-aged salaryman sits amongst his fellow coworkers in a large corporate meeting hall. The company president stands on stage and lectures the rank-and-file on something called “Next Cool Biz.” We can only guess that this is the latest stage in the Ministry of the Environment’s Cool Biz campaign to dress-down the workplace in the summer months to reduce excess air conditioning usage. Coke’s cruel parody takes this progressive business casual look to a comical extreme — pants shredded all the way to boxer short length matched with jackets reduced to shoulder pads. In all of their excitement, the Boss and his gushing subordinates do not seem to notice that they have lost all dignity to this beastly new uniform. The audience gasps.
As in the print ads, the protagonist wears the Coca-Cola Zero bottle on the back of his head to form a makeshift samurai chonmage. He stands up, takes a drink from a bottle of Zero and boldly raises his hand to tell the company president from the back of the conference hall, “Sir, I object!” Electric guitars fill the soundtrack, and the evil Boss scowls at our hero.
The slogan for the Zero campaign is “Japanese men! Don’t hesitate!” (日本の男よ, ためらうな。) This commercial chooses to illustrate that slogan by showing a Japanese man taking no hesitation in standing up and calling out the idiocy of the powers that be.
In an earlier post, we discussed the failure of Cool Biz to reach full diffusion due to the importance of apparel-related propriety in organizational relations. Lately, however, Cool Biz has become something of a lightning rod — a symbol for a certain type of unwanted “restructuring” to the classic Japanese workplace culture. In the Coke commercial, Cool Biz has moved past being “a good intention impossible to implement” to become something loathsome in its own right. If I were in the Ministry of the Environment, I would be livid: The commercial has taken the rationality and pro-environmentalism behind Cool Biz and twisted it to such an extreme that the uniform appears to be nothing but a total humiliation upon the individual worker.
While questionable from a pro-environment perspective, the advertisers have very skillfully used the Cool Biz issue as a way to build sympathy with their target audience. Instead of trying to graft the overly-American “individual fights the system” spirit onto a Japanese ad campaign, they have used the Cool Biz backlash to define the conflict so that “rebellion” against the top actually represents a protection of traditional values. The “bad guys” (the executives in silly outfits) advocate an outrageously dumb progressive agenda. Thus opposition to the Next Cool Biz is not insubordination, but merely a cry for the return to the classic black suit-white shirt-black tie uniform.
The Coca-Cola Zero message essentially finds its passion in reactionary zeal. Dressed as a modern day samurai and fighting against the excesses of reform, the protagonist resembles Saigo Takamori — the heroic Japanese soldier who hoped to save the samurai class by leading a rebellion against the Westernizing Meiji government in 1877. In a corporate climate besieged by neo-liberal globalizers and shareholder-right advocates, Japanese salarymen have began to tightly embrace their old corporate traditions as endangered customs. Just as Saigo tried to protect the samurai way of dress against over-eager Westernization, Coke Zero’s salaryman/samurai army clings to their black suits in a similar protest. If one cola will quench male thirst in the struggle against progressive social change, it shall be Coca-Cola Zero.
This article originally appeared on the Diamond Agency blog clast.